Helvetica, the film

On the jacket of my copy of Virginia Woolf's book Flush, her biography of the poet Elizabeth Barrett Browning's aristocratic pet cocker spaniel (a great read, whose success displeased Virginia), there is a great quote by the author taken from a lecture she gave in Oxford in 1928:

"What is meant by "reality"? It would seem to be something very erratic, very undependable—now to be found in a dusty road, now in a scrap of newspaper in the street, now a daffodil in the sun."

And of course it can also be found right under a writer, or filmmaker's, nose as the success of the documentary Helvetica seems to prove. A film about a font sounds like an unlikely subject but apparently everyone wants to see Gary Hustwit's itinerant film. Me too, I'm dying to see it now, after hearing so much about it. Hopefully I'll be able to get a seat next time it comes to London on 7 September at the ICA.

Here you can find whether it's screening anywhere near you.

Woody Allen starts shooting in Barcelona

Woody Allen's New York films are definitely a thing of the past. After London, the American director has moved on to Barcelona, where he started shooting his new work, 'Midnight in Barcelona'. The financiers must have been keen on capitalising on the city's frothy reputation and made sure its name got into the title!

According to a press release that arrived through The Filter's wires today, crowds gathered in Barceloneta 'hoping for a glimpse' of cast members Scarlett Johansson, Penelope Cruz and Javier Bardem.

At a press conference held in Barcelona on 02 July, Allen expressed his enthusiasm for the project, having spent previous weeks location scouting in the city: 'I hope I can present Barcelona to the world as I see it, the same way I presented Manhattan to the world as I saw it with my eyes', he said.

Cruz and Bardem are old film mates, having starred together in the 1992 film 'Jamon, Jamon' directed by Bigas Luna.

Allen's latest Hollywood muse Scarlett Johansson, who has previously worked on projects including 'Match Point' and 'Scoop' with Allen, arrived in Barcelona early last week for filming.

While details of the film have been kept well under wraps Allen has said of his latest project 'I want to write a love letter to Barcelona and from Barcelona to the world.' Very vague indeed. I personally won't hold my breath for anything coming from Allen, whose films I always found a tad too middle class for my liking, as well as wordy but without much to say.

Paris is burning (itself out)

Paris, Paris, Paris. Were it not enough to have to read about Paris Hilton everywhere, it seems like the film world is having a little love affair with the French capital of the same name as the Hilton one. I caught the virus and published a review of Paris Mon Amour, another unrefutable evidence of cinematic Paris renaissance, not to mention the resurrection of French female icons like Edith Piaf in La Vie En Rose and the recently confirmed, yet untitled biopic of Coco Chanel, to be played by Audrey Tatou.

Zoe Cassavetes' (the daughter of John) directorial debut, Broken English, which opened in the U.S. last week, sees a love-seeking Parker Posey go to Paris à la Sarah Jessica Parker in Sex and the City with a French boyfriend (Melvil Poupaud) only to find that she was all right by herself in the first place (sounds familiar and, well, very clichèd). You can watch the trailer here.

Julie Delpy's debut, which did well at Cannes in terms of distribution and is slated to open in the UK on 31 August, is called 2 Days in Paris. You can watch an interview with Delpy talking about her film here.

Bon weekend.

Vik Muniz

Vik Muniz is a Brazilian born artist who's been living in New York since the early 80s. He's a recent discovery for me, but I have become quite interested in his works of late, especially his conceptualisation of illusion and truth. His final medium is photography, but his work is much more than photography. He's also a great raconteur as the video below testifies, a rare thing in the art world.

Vik Muniz's TED talk +

Cannes 2007 opens

The 60th edition of the Cannes Film Festival opened yesterday and footage has already popped up on YouTube, with this clip of the opening ceremony, which looks a bit like the Oscars, actually. That is, grand and cheesy.

The star of the opening day was Norah Jones (pictured) for her starring role in Wong Kar-wai's English language debut, My Blueberry Nights. The word is that it is up against Quentin Tarrantino's Death Proof and the Coen Brother's No Country for Old Men as a contender for the top prize.